REMOTE
PRODUCTION

Virtual events rely almost exclusively on technology to be successful.

Entertainment and television producers have only one shot at a live production, and with remote technology in its earliest stages and with the added pressure of social distancing - we have assembled teams of experienced technicians and technology partners who understand how to produce a successful, live event that looks amazing on air.

We back this up with the most sophisticated and professional equipment delivered and explained to your producers and talent.

Our systems are reliable and have performed on many of the highest-profile televised live events.

HOW
IT
WORKS

Whether your event involves a one camera shot or cameras and talent in 50+ locations – our technology and partners can seamlessly deliver it to your audience via a full complement of traditional and IP-based services.

SCENARIOS:

  • A live event from an arena or venue
  • Remote talent in their homes or studios
  • Producers on or off-site
  • Translations, insertions or different content changes needed

SERVICES:

  • On-site engineering services
  • Off-site monitoring and management
  • Transport of the content locally or globally, in various languages
  • On the ground infrastructure – trucks and IP transport
  • Satellite, IP or fiber transport solutions

TO BOOK a VIRTUAL MEETING

CLICK HERE

VIRTUAL EVENT
FLOW

VIRTUAL
EVENT FLOW

Signal Acquisition

A)Finished produced feed (or several B-roll feeds) to uplink truck

B)Primary uplink of finished feed to domestic satellite

C)Primary downlink of finished feed into Nextologies

D)Backup transmission of produced feed (or several B-roll feeds) to Nextologies VNOC via public internet

Signal Processing and delivery

E)Primary and backup feeds from VNOC into Nextologies Cloud infrastructure in HLS (ABR)

i)Above feeds in IPTS

F)Delivery into platform specific application

G)Delivery of HLS transcoded feed into platforms

Signal delivery and authentication

H)Delivery of HLS ABR for web browser

I)Delivery of HLS CBR or TXR IP TS for NXT-Lite users

J)Delivery of Primary and Backup – TXR IP TS for movie theaters

K)Delivery of Primary and Backup – TXR IP TS for television stations carrying the event

NOTES:

  • For delivery via platforms the payments would be handled by platforms directly (Apple TV, Roku, Smart TV
  • For delivery via Web Browser and NXT-Lite payment would be handled by Nextologies via a Payment Gateway
  • For delivery to Movie Theaters (viewing venues) & Television Channels payments would be arranged directly.

ESSENTIAL GEAR FOR
REMOTE PRODUCTION

NXT - 4 IP

a professional, broadcast-grade compliant HD/SD video & audio encoder/decoder device

  • Functions as an encoder for one single SDI input stream, or as a decoder for up to four simultaneous SDI output streams and/or multiple IP streams.
  • Designed for engineering and technical staff who require high density outputs
  • Small footprint, weighing 10.85 lbs and easily shipped to your engineers
  • Seamless integration for signal delivery to cable, satellite, terrestrial or OTT

NXT - LITE

a high-performance, cost-effective, mini set-top box solution

  • Designed for talent and production staff in their homes or studios
  • Ease of use via a simple HDMI port, device delivers HD broadcast-quality signal
  • Instant access to the production feed with no local tweaking or adjustments
  • Capable of operating cameras remotely; eliminating the need for additional vendors and complicated camera equipment

Nextologies proprietary software solutions include creating custom web portals to view and call the production